Alison Krauss (born July 23, 1971) is an American bluegrass–country singer, songwriter and fiddler. She entered the music industry at an early age, winning local contests by the age of ten and recording for the first time at fourteen. She signed with Rounder Records in 1985 and released her first solo album in 1987. She was invited to join the band with which she still performs, Alison Krauss and Union Station (AKUS), and later released her first album with them as a group in 1989.
She has released eleven albums, appeared on numerous soundtracks, and helped renew interest in bluegrass music in the United States. Her soundtrack performances have led to further popularity, including the O Brother, Where Art Thou? soundtrack, an album also credited with raising American interest in bluegrass, and the Cold Mountain soundtrack, which led to her performance at the 2004 Academy Awards. During her career she has won 26 Grammy Awards, making her the most awarded female artist (and the third most awarded artist overall) in Grammy history. Alison Krauss was born in Decatur, Illinois to parents originally from Columbus, Mississippi. Krauss was raised in Champaign, Illinois. She began studying classical violin at age five but soon switched to bluegrass. Krauss said she first became involved with music because “[my] mother tried to find interesting things for me to do” and “wanted to get me involved in music, in addition to art and sports.” At age eight she started entering local talent contests, and at ten she had her own band. At 13 she won the Walnut Valley Festival Fiddle Championship, and the Society for the Preservation of Bluegrass in America named her the Most Promising Fiddler in the Midwest. Krauss first met Dan Tyminski around 1984 at a festival held by the Society. Every current member of her band, Union Station, first met her at these festivals.
Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor, Swamp Weiss, and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called “Silver Rail”. Pennell later formed Union Station, and Krauss joined at his invitation, replacing their previous fiddler Andrea Zonn. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular “Every Time You Say Goodbye.”
Remember this great song? “Baby, Now That I Found You.”
Later that year she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry. with Union Station as her backup. band.
Krauss’ debut solo album was followed shortly by her first group album with Union Station in 1989 Two Highways. Many traditional bluegrass numbers appeared on the album, along with a bluegrass interpretation of The Allman Brothers‘ “Midnight Rider.” Alison Krauss and Union Station would later perform at the 1989 Newport Folk Festival.
Krauss’ contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I’ve Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single “Steel Rails” was her first single tracked by Billboard, and the title single “I’ve Got That Old Feeling” was the first song for which she recorded a music video.
Krauss’ second Union Station album Everytime You Say Goodbye was released in 1992, and she went on to win her second Grammy for Best Bluegrass Album of the year. She then joined the Grand Ole Opry in 1993 at the age of 21. She was the youngest cast member at the time, and the first bluegrass artist to join the Opry in twenty-nine years. She also collaborated on a project with the Cox Family in 1994, a bluegrass album called I Know Who Holds Tomorrow. Mandolin and guitar player Dan Tyminski replaced Tim Stafford in Union Station in 1994. Late in the year, Krauss recorded with the band Shenandoah on its single “Somewhere in the Vicinity of the Heart,” which brought her to the country music Top Ten for the first time.
Now That I’ve Found You: A Collection, a compilation of older releases and some covers of her favorite works by other artists, was released in 1995. Some of these covers include Bad Company‘s “Oh Atlanta,” The Foundations‘ “Baby, Now That I’ve Found You,” which was used in the Australian hit comedy movie The Castle, and The Beatles‘ “I Will.” A cover of Keith Whitley‘s “When You Say Nothing at All” reached the top five on the Billboard country chart; the album peaked in the top fifteen on the all-genre Billboard 200 chart, and sold two million copies to become Krauss’ first double-platinum album. Krauss also was nominated for four Country Music Association Awards and won all of them.
So Long So Wrong, another Union Station album, was released in 1997 and won the Grammy for Best Bluegrass Album. Some critics[who?] said it was “untraditional” and “likely [to] change quite a few . . . minds about bluegrass.” Included on the album is the track “It Doesn’t Matter,” which was featured in the second season premiere episode of Buffy the Vampire Slayer and was included on the Buffy soundtrack in 1999.
Her next solo release in 1999, Forget About It, included one of her two tracks to appear on the Billboard adult contemporary chart, “Stay.” The album was certified gold, and charted within the top seventy-five of the Billboard 200 and in the top five of the country chart. In addition, the track “That Kind of Love” was included in another episode of Buffy the Vampire Slayer. Krauss was married to Pat Bergeson from 1997 to 2001, and they have one son, Sam, who was born in July 1999.
“When You Say Nothing At All”
Adam Steffey left Union Station in 1998, and was replaced with renowned Dobro player Jerry Douglas. Douglas had provided studio back-up to Krauss’s records since 1987’s Too Late To Cry. Their next album, New Favorite, was released on August 14, 2001. The album went on to win the Grammy for Best Bluegrass Album, with the single “The Lucky One” winning a Grammy as well. New Favorite was followed up by the double platinum double album Live in 2002 and a release of a DVD of the same live performance in 2003. Both the album and the DVD were recorded during a performance at The Louisville Palace and both the album and DVD have been certified double Platinum.
Lonely Runs Both Ways was released in 2004, and eventually became another Alison Krauss & Union Station gold certified album. Ron Block described Lonely Runs Both Ways as “pretty much… what we’ve always done” in terms of song selection and the style in which those songs were recorded. Krauss believes the group “was probably the most unprepared we’ve ever been” for the album and that songs were chosen as needed rather than planned beforehand. She also performed a duet with Brad Paisley on his album Mud on the Tires in the single “Whiskey Lullaby.” The single was quite ranked in the top fifty of the Billboard Hot 100 and the top five of the Hot Country Songs, and won the Country Music Association Awards for “Best Musical Event” and “Best Music Video” of the year.
“Let Me Touch You For A while”
Krauss recorded a collaborative album, Raising Sand with Robert Plant in 2007 which would ultimately be RIAA certified platinum. Raising Sand was nominated for and won 5 Grammys at the 51st Grammy Awards including Album of the Year, Best Contemporary Folk/Americana Album, and Record of the Year (“Please Read the Letter“). Krauss and Plant recorded a Crossroads special in October 2007 for the Country Music Television network which first aired on February 12, 2008. The pair are currently working on a new album.
Krauss has made multiple guest appearances on other records with lead vocals, harmony vocals, or fiddle playing. In 1993 she recorded vocals for the Phish song “If I Could” in Los Angeles. In 1997 she contributed harmony vocals in both English and Irish to Irish traditional band Altan‘s Runaway Sunday album. She has contributed to numerous motion picture soundtracks, most notably the soundtrack O Brother, Where Art Thou? in 2000. She and co-vocalist Dan Tyminski contributed multiple tracks to the soundtrack, including “I’ll Fly Away” (with Gillian Welch), “Down to the River to Pray”, and “I Am a Man of Constant Sorrow.”
In the film, Tyminski’s vocals on “I Am a Man of Constant Sorrow” were used for George Clooney‘s character. The soundtrack sold over seven million copies and won the Grammy for Album of the Year in 2002.The unexpected success of the album has been partially credited, as was Krauss herself, with bringing a new interest in bluegrass to the United States. She has said, however, that she believes Americans already liked bluegrass and other less-heard musical genres, and that the film merely provided easy exposure to the music. She did not appear in the movie, at her own request, as she was nine months pregnant during its filming.
“Now And Forever”
In 2007, Krauss released the anthology A Hundred Miles Or More: A Collection which was a collection of soundtrack work, duets with artists such as John Waite, James Taylor, Brad Paisley and esteemed fiddle player Natalie MacMaster, and newer tracks. The album was very commercially successful, but was received with a lukewarm reception from critics. One of the tracks, “Missing You“, a duet with Waite (and a cover of his hit single from 1984), was similarly received as a single. On August 11, television network Great American Country aired a one-hour special, “Alison Krauss: A Hundred Miles or More” based on the album and featured many of the album’s duets and solo performances. Other soundtracks for which Krauss has performed include Twister, The Prince of Egypt, Eight Crazy Nights, Mona Lisa Smile, Divine Secrets of the Ya-Ya Sisterhood, Alias, Bambi II and Cold Mountain. She also contributed the song “Jubilee” to the 2004 documentary Paper Clips. The Cold Mountain songs “The Scarlet Tide” by T-Bone Burnett and Elvis Costello, and “You Will Be My Ain True Love“, by herself and Sting were nominated for an Academy Award, and she performed both songs at the 76th Academy Awards, the first with Costello and Burnett and the other with Sting. She also worked as a producer for Nickel Creek on their debut self-titled album in 2000 and the follow-up This Side in 2002, which won Krauss her first Grammy as a music producer.
Krauss’s earliest musical experience was as an instrumentalist, though her style has grown to focus more on her vocals with a band providing most of the instrumentation. Musicians she enjoys include Lou Gramm of Foreigner and Paul Rodgers of Bad Company. Krauss’ family listened to “folk records” while she was growing up, but she had friends who exposed her to groups such as AC/DC, Carly Simon, The Rolling Stones, Lynyrd Skynyrd, and ELO. She cites Dolly Parton, with whom she has since collaborated a number of times, as a major influence. Some[who?] credit Krauss and Union Station, at least partially, with a recent[when?] revival of interest in bluegrass music in the United States. Despite being together for nearly two decades and winning numerous awards, she said the group was “just beginning right now” (in 2002) because “in spite of all the great things that have happened for the band, [she] feel[s] musically it’s just really beginning.” Although she alternates between solo releases and works with the band, she has said there is no difference in her involvement between the two.
As a group, AKUS have been called “American favourites,” “world-beaters,” and “the tightest band around.” While they have been successful as a group, many reviews note Krauss still “remains the undisputed star and rock-solid foundation” and have described her as the “band’s focus” with an “angelic” voice that “flows like honey”. Her work has been compared to that of The Cox Family, Bill Monroe, and Del McCoury, and has in turn been credited with influencing various “Newgrass” artists including Nickel Creek, for which she acted as record producer on two of their albums. In addition to her work with Nickel Creek, she has acted as producer to the Cox Family, Reba McEntire and Alan Jackson. Adam Sweeting of The Guardian has said Krauss and Union Station are “superb when they stick to hoedowns and hillbilly music, but much less convincing when they lurch towards the middle of the road,” and Blender magazine has said the “flavorless repertoire [Krauss] sings… steers her toward Lite FM”. In addition, Q magazine and The Onion AV Club have said their newer releases are “pretty much the usual,” and that although Krauss is generally “adventurous,” these recent releases contain nothing to “alienate the masses”.
Sources: Wikipedia, YouTube, imdb.com
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