Phyllis Diller

Phyllis Diller (July 17, 1917 – August 20, 2012[2]) was an American actress and comedienne. She created a stage persona of a wild-haired, eccentrically dressed housewife who makes self-deprecating jokes about her age and appearance, her terrible cooking, and a husband named “Fang”, while pretending to smoke from a long cigarette holder. Diller’s signature was her unusual laugh.

Phyllis Diller and Liberace at the piano

Diller was born Phyllis Ada Driver in Lima, Ohio, the daughter of Frances Ada (née Romshe) (January 12, 1881 – January 26, 1949) and Perry Marcus Driver (June 13, 1862 – August 12, 1948), an insurance agent.[3] She has German and Irish ancestry (the surname “Driver” had been changed from “Treiber” several generations back).[4] Her mother was about twenty years younger than her father.[5] Diller was raised a Methodist.[6] Diller attended Lima’s Central High School, then studied for three years at Sherwood Music Conservatory in Chicago, Illinois. She then transferred to Bluffton College in Bluffton, Ohio, where she met fellow “Lima-ite” and classmate Hugh Downs.

Diller was a housewife, mother, and advertising copywriter. During World War II, Diller lived in Ypsilanti, Michigan, while her husband worked at the historic Willow Run Bomber Plant. In the mid-1950s, she made appearances on The Jack Paar Show and was a contestant on Groucho Marx‘s quiz show You Bet Your Life.[7]

Although she made her career in comedy, Diller had studied the piano for many years. She decided against a career in music after hearing her teachers and mentors play with much more ability than she thought that she would be able to achieve. She still played in her private life, however, and owned a custom-made harpsichord.

Diller began her career working at KROW radio in Oakland in 1952. In November of that year, she began filming a television show titled Phyllis Dillis, the Homely Friendmaker.[8] The 15-minute series was a BART (Bay Area Radio-Television) production, directed for television by ABC‘s Jim Baker. In the mid 1950s, while residing in the East Bay city of Alameda, California, Diller was employed at KSFO radio in San Francisco. Bill Anderson wrote and produced a television show at KGO-TV called “The Belfast Pop Club,” which was hosted by Don Sherwood. “Pop Club” was a half-hour show that combined playing records with “experts” rating them, and dancing girls encouraging audience participation. The show was an early advertisement for Belfast Root Beer, known today asMug Root Beer. Anderson invited her onto his show on April 23, 1955 as a vocalist.[9]

On the Ed Sullivan Show in 1969

Diller first appeared as a stand-up at The Purple Onion on March 7, 1955 and remained there for 87 straight weeks. Diller appeared on “Del Courtney’s Showcase” on KPIX television on November 3, 1956. After moving to Webster Groves, in St Louis in 1961, Diller honed her act in St. Louis clubs such as Gaslight Square’s Crystal Palace. Mid-1960s – St Louis was always home to her. Getting her first start on the Charlotte Peters Show in St Louis, were many got their start. Diller’s fame grew when she co-starred withBob Hope in 23 television specials and three films in the 1960s: Boy, Did I Get a Wrong Number!Eight on the Lam, and The Private Navy of Sgt. O’Farrell. Although only Boy, Did I Get a Wrong Number! performed well at the box office, Hope invited Diller to perform with him in Vietnam in 1966 with his USO troupe during the height of the Vietnam War.

“The Magic of Believing”

Throughout the 1960s, she appeared regularly as a special guest on many television programs. For example, she appeared as one of

the What’s My Line? Mystery Guests. The blindfolded panel on that evening’s broadcast included Sammy Davis, Jr., and they were able to discern Diller’s identity in just three guesses. Also, Diller made regular cameo appearances making her trademark wisecracks on Rowan and Martin’s Laugh-In. Self-deprecating to a fault, a typical Diller joke had her running after a garbage truck pulling away from her curb. “Am I too late?” she’d yell. The driver’s reply: “No, jump right in!”

Though her main claim to fame is her stand-up comedy act, Diller has also appeared in other films besides the three mentioned above, including a cameo appearance as Texas Guinan, the wisecracking nightclub hostess in the 1961 film Splendor in the Grass. She appeared in more than a dozen, usually low-budget, movies, including voice work as The Monster’s Mate in the Rankin/Bass animated film Mad Monster Party (1967), co-starring Boris Karloff.

Diller also starred in two short-lived TV series: the half-hour sitcom The Pruitts of Southampton (later retitled The Phyllis Diller Show) on ABC from 1966–1967, and the variety show The Beautiful Phyllis Diller Show on NBC in 1968. More recent television appearances for Diller have included at least three episodes between 1999–2003[10] on the long-running family drama 7th Heaven, in one of which she got drunk while cooking dinner for the household, and a 2002 episode of The Drew Carey Show,[10] as Mimi Bobek’s grandmother. She posed for Playboy, but the photos were never run in the magazine.[11] Her voice can be heard in several animated TV shows, including The New Scooby-Doo Movies (1972)[10] as herself, Hey Arnold! as Arnold’s grandpa’s sister Mitzi, The Adventures of Jimmy Neutron: Boy Genius (2002)[10] as Jimmy’s grandmother, and on Family Guy in 2006[10] as Peter Griffin’s mother, Thelma Griffin.

Diller in 1973

Beginning December 26, 1969,[12] she had a three-month run[13] on Broadway in Hello, Dolly! (opposite Richard Deacon)[14] as the second to last in a succession of replacements for Carol Channing in the title role, which included Ginger RogersMartha RayeBetty Grable, and Pearl Bailey. After Diller’s stint, Ethel Merman took over the role until the end of the show’s run in December 1970.[15][16]

In 1993, she was inducted into the St. Louis Walk of Fame.

Talking about her “look.”

In 1998, Diller provided the vocals for the Queen in Disney/Pixar‘s animated movie A Bug’s Life. In 2005, Diller was featured as one of many contemporary comics in a documentary film, The Aristocrats. Diller, who avoids blue comedy, did a version of an old, risqué vaudeville routine in which she describes herself passing out when she first heard the joke, forgetting the actual content of the joke.

In 2000, she was awarded the Women in Film Lucy Award in recognition of her excellence and innovation in her creative works that have enhanced the perception of women through the medium of television[17]

Singing “You’re Different”

In 2003, after hearing of the donation of Archie Bunker’s chair to the Smithsonian Institution, Diller opened her doors to the National Museum of American History and offered up some of her most iconic costume pieces and her gag file, a steel cabinet with 48 file-drawers containing more than 50,000 jokes and gags typewritten on index cards by Diller during her career. From August 12-October 28, 2011, the Albert H. Small Documents Gallery at the National Museum of American History displayed Diller’s gag file and some of the objects that became synonymous with her comedic persona-an unkempt wig, wrist-length gloves, cloth-covered ankle boots and a bejeweled cigarette holder.[18]

On January 24, 2007, she appeared on The Tonight Show and performed stand-up, before chatting with Jay Leno.

Diller had a cameo appearance in an episode of ABC’s Boston Legal on April 10, 2007. She appeared as herself, confronting William Shatner‘s character Denny Crane, alleging to have had a torrid love affair with him. They seemed to have enjoyed a romantic moment in afoxhole during World War II.

Phyllis Diller arrives at Korat Air Base, Thailand for the Bob Hope Christmas show in 1966.

Diller was a member of the Society of Singers, which supports singers in need. In June 2001 at the request of fellow Society member andproducer Scott Sherman, she appeared at Kansas City and Philadelphia Pride events. The mayor of Philadelphia officially proclaimed June 8, 2001, as “Phyllis Diller Day.” She was presented an official proclamation onstage to a standing ovation. In 2006, Mayor of San Francisco Gavin Newsom proclaimed February 5, 2006 “Phyllis Diller Day in San Francisco,” which she accepted by phone.

She also recorded at least five comedy LP records, one of which was Born To Sing, released as Columbia CS 9523.

Although known for decades for smoking from long cigarette holders in her comedy act, Diller was a lifelong nonsmoker, and the cigarette holders were stage props that she had specially constructed. Diller, a longtime resident of the Brentwood area of Los AngelesCalifornia, credited much of her success to Bob Hope, in large part because he included her in many of his films and his Vietnam USO shows. She was an accomplished pianist as well as a painter. Diller, a longtime resident of the Brentwood area of Los AngelesCalifornia, credited much of her success to Bob Hope, in large part because he included her in many of his films and his Vietnam USO shows. She was an accomplished pianist as well as a painter. Diller was married and divorced twice. She also dated Earl “Madman” Muntz, a pioneer in oddball TV and radio ads. She had six[19]children from her marriage to her first husband, Sherwood Anderson Diller. Her first child was Peter (b. 1940;[20] d. 1998 of cancer).[21]Her second child Sally, born in 1944,[19] has suffered from schizophrenia most of her life.[22] Her third child, a son, lived for only two weeks in an incubator.[23] A daughter, Suzanne, was born in 1946,[24] followed by another daughter Stephanie (b. 1948[25] d. 2002 of a stroke)[26] and a son Perry (b. 1950).[27]Diller’s second husband was actor Warde Donovan (born Warde Tatum), whom she married on 7 October 1965 and divorced the following year; they apparently re-married and divorced for a second time in 1974.[28] Her youngest son Perry, now 62, oversaw her affairs until her death. Diller is not the mother of actress Susan Lucci, nor TV personality Dorothy Lucey, despite urban legends to that effect, frequently passed through viral emails under trivia headings such as “Did You Know…?”[29] The husband frequently mentioned in her act, “Fang”, was entirely fictional, and not based on any of her actual husbands.

On her tv series, The Pruitts of South Hampton

Diller candidly discussed her plastic surgery, a series of procedures first undertaken when she was 55. In her 2005 autobiography, she wrote that she had undergone “fifteen different procedures”.[30] Her numerous surgeries were the subject of a 20/20 segment February 12, 1993.

Diller suffered medical problems, including a heart attack in 1999. After a hospital stay she was fitted with a pacemaker and released. A bad fall resulted in her being hospitalized for neurological tests and pacemaker replacement in 2005. She subsequently retired from stand-up comedy appearances.

On July 11, 2007, USA Today reported that she had fractured her back and had to cancel a Tonight Show appearance, during which she had planned to celebrate her 90th birthday. On January 4, 2011, she appeared on CNN‘s “Anderson Cooper 360” as part of a panel of comedians.

She died in her sleep August 20, 2012 at the age of 95, She was found by her son who said she had a smile on her face.

Rest soundly Ms Diller. You have made millions of people laugh and enjoy life more because of your inimitable talent, class and style.

Sources: wikipedia, youtube, imdb.com

Marvin Hamlisch

By Robert Simonson
Playbill.com 07 Aug 2012

Marvin Hamlisch, who achieved theatre immortality as the composer of the iconic musical A Chorus Line, died Aug. 7 following a brief illness. He was 68.

Mr. Hamlisch’s other theatre works included the musicals They’re Playing Our Song, Jean Seberg, Smile, The Goodbye Girl and Sweet Smell of Success. He also wrote songs for Nora Ephron‘s playImaginary Friends. His latest show, The Nutty Professor, recently opened in Tennessee. But it was with the groundbreaking A Chorus Line—which told of the frustrations and worries of a group of anonymous dancers trying out for a Broadway musical—that he made his mark as a theatre figure.

He was already famous as an all-around wunderkind when he began work onA Chorus Line. A child prodigy, he was accepted into Juilliard at the age of six—the youngest child ever to be welcomed by the august Manhattan institution. His first Broadway job was as rehearsal pianist for Funny Girlstarring Barbra Streisand—a professional relationship that would last his entire life. Producer Sam Spiegel hired him to play piano at his parties, where he made connections, leading to his writing his first film score, for “The Swimmer” starring Burt Lancaster. Many more film scores followed.

It seemed his fate to brush up against show-business legends while on his way up the ladder. He wrote songs for Liza Minnelli, worked with Judy Garland and was accompanist and straight man for Groucho Marx during a 1974-75 tour.

“The Entertainer”

Professional acknowledgment came easy in his early years. Before he was 30, he had received three Oscars, for his score and song to “The Way We Were” and his adaptations of Scott Joplin ragtime tunes in “The Sting,” which helped usher in a Joplin revival. And that was all in 1973. He began to be a regular guest on talk shows and was called “the best-known movie composer since Henry Mancini.”

Mr. Hamlisch is one of only 11 people to have won an Emmy, Grammy, Oscar and Tony award. On top of this, he also won the Pulitzer Prize for A Chorus Line.Aside from director-choreographer Michael Bennett, Mr. Hamlisch was by far the most accomplished and famous artist invited to participate in the creation of A Chorus Line. The unorthodox show—a prime example of what came to be known as the “concept musical”—derived from 30 hours of taped confessions of a group of theatre gypsies and chorines. From these recordings, Bennett shaped a show about the strivings, hopes, dreams and fears of the unsung and uncelebrated members of the theatre community. The show was trail-blazing in eschewing a linear plot, dealing with contemporary issues such as homosexuality and abortion in frank terms, and lacking a single headlining star.

“One” from “Chorus Line”

Hamlisch was drafted by Bennett and paired with the fussy, eccentric lyricist Ed Kleban, a former executive at Columbia Records with no previous theatre credits. It was an odd couple pairing if there ever was one, but it produced a timeless result. The score was episodic, with each song telling the life story of one or more characters. The show included two modern classics: the hopeful “What I Did for Love,” which Kleban and Mr. Hamlisch reportedly wrote under protest, as they considered it a commercial “sell-out” number; and “One,” the show’s finale. It’s throbbing, hop-step opening vamp is one of the best known theatre anthems in musical history, and is known to millions.

“The Way We Were”

Marvin Hamlisch was born June 2, 1944, into a musical family. His father Max Hamlisch was an accordionist and band leader. He began playing piano when he was five. “I started studying music at the age of five and a half,” he remembered later. “My older sister was taking piano lessons. When her teacher left our apartment, I would get up on the piano bench and start picking out the notes that were part of my sister’s lessons.” His song “Sunshine, Lollipops and Rainbows,” written while he was a teenager, was a hit for Lesley Gore in 1963.

He followed up A Chorus Line with another hit, though one of a far smaller scale. They’re Playing Our Song had lyrics by Carole Bayer Sager and a book by Neil Simon. The two-character musical was based on the real-life relationship between Hamlisch and Sager, and follows the two mismatched songwriters—he is focused and all business, she is flightily and distracted—as they go through a series of bumps in forging both a professional and romantic relationship. After a tryout in Los Angeles, it ran for two-and-a-half years on Broadway and was nominated for a Tony Award for Best Musical.

 

“Tits and Ass” Chorus Line

Mr. Hamlisch’s untrammeled string of successes during the 1970s were such that he had a hard time following them up. The next 30 years of his career were something of an anti-climax. That A Chorus Line proved one of the greatest popular successes of all time, and was accorded the title of “genius work” by critics, meant no other show he composed could quite measure up.Jean Seberg, a musical about the life of the actress, failed in London and never came to New York. The Broadway runs of Smile (1986) and The Goodbye Girl (1993) were both underwhelming. Sweet Smell of Success(2002), based on the classic 1950s film about Broadway’s seamy underbelly, ran only two months.

His many film scores included “Ordinary People,” “Sophie’s Choice,” “Three Men and a Baby,” “Ice Castles,” “Take the Money and Run” and “The Informant!” He co-wrote the song “Nobody Does It Better” for the movie “The Spy Who Loved Me.”

In recent years, he composed some classical works, and frequently conducted major symphony orchestras.

Other Sources: YouTube, IMDB.com