Patty Andrews

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Patty is center in the photo

Patty Andrews, the last of the Andrews Sisters, the jaunty vocal trio whose immensely popular music became part of the patriotic fabric of World War II America, died on Wednesday at her home in Los Angeles. She was 94. Lynda Wells, a niece, confirmed the death.

With their jazzy renditions of songs like “Boogie Woogie Bugle Boy (of Company B),” “Rum and Coca-Cola”and “Don’t Sit Under the Apple Tree (With Anyone Else but Me),” Patty, Maxene and LaVerne Andrews sold war bonds, boosted morale on the home front, performed withBing Crosby and with theGlenn Miller Orchestra, made movies and entertained thousands of American troops overseas, for whom the women represented the loves and the land the troops had left behind.

imagesPatty, the youngest, was a soprano and sang lead; Maxene handled the high harmony; and LaVerne, the oldest, took the low notes. They began singing together as children; by the time they were teenagers they made up an accomplished vocal group. Modeling their act on the commercially successful Boswell Sisters, they joined a traveling revue and sang at county fairs and in vaudeville shows. Their big break came in 1937 when they were signed by Decca Records, but their first recording went nowhere.

Their second effort featured the popular standard “Nice Work If You Can Get It,” but it was the flip side that turned out to be pure gold. The song was a Yiddish show tune,“Bei Mir Bist Du Schön (Means That You’re Grand),” with new English lyrics bySammy Cahn, and the Andrews Sisters’ version, recorded in 1937, became the top-selling record in the country.

Other hits followed, and in 1940 they were signed by Universal Pictures. They appeared in more than a dozen films during the next seven years — sometimes just singing, sometimes also acting. They made their film debut in “Argentine Nights,” a 1940 comedy that starred the Ritz Brothers, and the next year appeared in three films with Bud Abbott and Lou Costello:“Buck Privates,” “In the Navy”and “Hold That Ghost.” Their film credits also include “Swingtime Johnny” (1943), “Hollywood Canteen” (1944) and the Bob Hope-Bing Crosby comedy “Road to Rio” (1947).

images-1After selling more than 75 million records, the Andrews Sisters broke up in 1953 when Patty decided to go solo. By 1956 they were together again, but musical tastes were changing and they found it hard to adapt. When LaVerne Andrews died of cancer in 1967, no suitable replacement could be found, and Patty and Maxene soon went their separate ways. Patty continued to perform solo, and Maxene joined the staff of a private college in South Lake Tahoe, Calif.

Patricia Marie Andrews was born on Feb. 16, 1918, in Minneapolis. Her father, Peter, was a Greek immigrant who changed his name from Andreos to Andrews when he came to America. Her mother, Olga, was Norwegian.

Like her older sisters, Patty learned to love music as a child (she also became a good tap dancer), and she did not have to be persuaded when Maxene suggested that the sisters form a trio in 1932. She was 14 when they began to perform in public.

As their fame and fortune grew, the sisters came to realize that the public saw them as an entity, not as individuals. In a 1974 interview with The New York Times, Patty explained what that was like: “When our fans used to see one of us, they’d always ask, ‘Where are your sisters?’ Every time we got an award, it was just one award for the three of us.” This could be irritating, she said with a touch of exasperation: “We’re not glued together.”

The Andrews Sisters re-entered the limelight in the early 1970s when Bette Midler releasedher own recording of “Boogie Woogie Bugle Boy,” modeled closely on theirs. It reached the Top 10, and its success led to several new compilations of the Andrews Sisters’ own hits.

pattyandrews-4_3_r536_c534The previous year, Patty Andrews had appeared in a West Coast musical called “Victory Canteen,” set during World War II. When the show was rewritten for Broadway and renamed “Over Here!,” the producers decided that the Andrews Sisters were the only logical choice for the leads. They hired Patty and lured Maxene back into show business as well. The show opened in March 1974 and was the sisters’ belated Broadway debut. It was also the last time they sang together.

The sisters got into a bitter money dispute with the producers and with each other, leading to the show’s closing in January 1975 and the cancellation of plans for a national tour. After that, the sisters pursued solo careers into the 1990s. They never reconciled and were still estranged when Maxene Andrews died in 1995.

Patty Andrews’s first marriage, to the movie producer Marty Melcher, lasted two years and ended in divorce in 1949. (Mr. Melcher later married Doris Day.) In 1951 she married Wally Weschler, who had been the sisters’ pianist and conductor and who later became her manager. They had no children. Mr. Weschler died in 2010. Ms. Andrews is survived by her foster daughter, Pam DuBois.

A final salute to the Andrews Sisters came in 1991 in the form of “Company B,” a ballet by the choreographer Paul Taylor subtitled “Songs Sung by the Andrews Sisters.” The work, which featured nine of the trio’s most popular songs, including “Rum and Coca-Cola” and, of course, “Boogie Woogie Bugle Boy,” underscored the enduring appeal of the three sisters from Minneapolis.

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Sources: ROBERT BERKVIST, YouTube, IMDB.com

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The Andrew Sisters

The Andrews Sisters were a close harmony singing group, consisting of sisters

  • LaVerne Sophia Andrews (contralto; July 6, 1911 – May 8, 1967),
  • Maxene Angelyn Andrews (soprano; January 3, 1916 – October 21, 1995),
  • Patricia Marie (a.k.a. Patty) Andrews (mezzo-soprano; lead; born February 16, 1918).

All were born in Minnesota to a Greek immigrant father and a Norwegian American mother.[1]

Patty, the youngest and the lead singer of the group, was only seven when the group was formed, and just twelve years old when they won first prize at a talent contest at the local Orpheum Theatre in Minneapolis, where LaVerne played piano accompaniment for the silent film showings in exchange for free dancing lessons for herself and her sisters. Once the sisters found fame and settled in California, their parents lived with them in a Brentwood estate until their deaths, and several cousins from Minnesota followed them west. The sisters returned to Minneapolis at least once a year to visit family and friends and/or perform.

They started their career as imitators of an earlier successful singing group, the Boswell Sisters. After singing with various dance bands and touring in vaudeville with the likes of Ted Mack, Leon Belasco, and comic bandleader Larry Rich, they first came to national attention with their recordings and radio broadcasts in 1937, most notably via their major Decca record hit, Bei Mir Bist Du Schön (translation: To me, you are beautiful),[2] originally a Yiddish tune, the lyrics of which Sammy Cahn had translated to English and which the girls harmonized to perfection. It sold a million copies, making them the first female vocal group to achieve a Gold Record award. They followed this success with a string of best-selling records over the next two years and they became a household name by 1940.During World War II, they entertained the Allied forces extensively in America, Africa and Italy, visiting Army, Navy, Marine and Coast Guard bases, war zones, hospitals, and munitions factories.[3] They encouraged U.S. citizens to purchase war bonds with their rendition of Irving Berlin‘s song Any Bonds Today?. They also helped actors Bette Davis and John Garfield found California‘s famous Hollywood Canteen, a welcome retreat for servicemen where the trio often performed, volunteering their personal time to sing for and dance with soldiers, sailors and Marines (they did the same at New York City‘s Stage Door Canteen during the war). While touring, they often treated three random servicemen to dinner when they were dining out. They recorded a series of Victory Discs (V-Discs) for distribution to Allied fighting forces only, again volunteering their time for studio sessions for the Music Branch, Special Service Division of the Army Service Forces, and they were dubbed the “Sweethearts of the Armed Forces Radio Service” for their many appearances on shows like “Command Performance”, “Mail Call”, & “G.I. Journal.” Perhaps only Bob Hope and his troupe did more to entertain the troops.

‘Boogie Woogie Bugle Boy’ From The 1941 Movie, ‘Buck Privates’

The Andrews Sisters broke up in 1953, the main catalyst being Patty’s decision to go solo, with her husband acting as her agent. When Maxene & LaVerne learned of Patty’s decision from newspaper gossip columns rather than their own sister, it caused a rather bitter two-year separation, especially when Patty decided to worsen matters by suing LaVerne for a larger share of their parents’ estate. Maxene and LaVerne tried to continue the act as a duo and met with good press during a 10-day tour of Australia, but a reported suicide attempt by Maxene in December, 1954 [4] put a halt to any further tours (Maxene spent a short time hospitalized after swallowing 18 sleeping pills, which LaVerne told reporters was an accident).

“Don’t Sit Under the Apple Tree”

When all was forgiven and the trio reunited in 1956, they signed a new recording contract with Capitol Records (for whom Patty had become a featured soloist) and they released a dozen singles through 1959, some rock-and-roll flavored and not very well received, and three hi-fi albums, including a vibrant LP of songs from the dancing 1920s with Billy May‘s orchestra. In 1962, they signed with Dot Records and recorded a series of stereo albums over five years, both re-recordings of earlier hits, as well as new material, including “I Left My Heart In San Francisco“, “Still“, “The End of the World“, “Puff the Magic Dragon“, “Sailor“, “Satin Doll“, the theme from Come September, and the theme from A Man and a Woman. They toured extensively during the 1960s, favoring top nightclubs in Las Vegas, Nevada, California and London, England.

The act came to an abrupt end in 1967 when eldest sister LaVerne died of cancer after a year-long bout with the illness,[5] during which she was replaced by singer Joyce DeYoung. LaVerne had founded the original group, and often acted as the peacemaker among the three during the sisters’ lives, more often siding with her parents, to whom the girls were extremely devoted, than with either of her sisters. Once she was gone, Maxene saw no need to continue as a duo (she taught acting, drama, and speech at a Lake Tahoe college and worked with troubled teens), and Patty was once again eager to be a soloist.[6]

“Rum and Coca Cola”

Both surviving sisters had something of a comeback when Bette Midler recorded her own version of their song “Boogie Woogie Bugle Boy” in 1972. Their most notable comeback, however, was in the Sherman Brothers‘ nostalgic World War II musical: “Over Here!” which premiered on Broadway at the Shubert Theatre in 1974 to rave reviews. This was a follow-up to Patty’s success in “Victory Canteen” a 1971 California revue. The musical starred Maxene and Patty (with Janie Sell filling in for LaVerne and winning a Tony Award for her performance) and was written with both sisters in mind for the leads. It launched the careers of many now notable theater, film and television icons (John Travolta, Marilu Henner, Treat Williams, Ann Reinking, et al.). It was the last major hurrah for the sisters and was cut short due to a lawsuit initiated by Patty’s husband against the show’s producers, squashing an extensively scheduled road tour for the company, including the sisters.

“Beer Barrel Polka”

Patty immediately distanced herself from Maxene, who claimed until her death that she was not aware of Patty’s motives regarding the separation. She appealed to Patty for a reunion, personally if not professionally, both in public and in private, but to no avail. Maxene suffered a serious heart attack while performing in Illinois in 1982 and underwent quadruple bypass surgery, from which she successfully recovered. Patty visited her sister while she was hospitalized. Now sometimes appearing as “Patti” (but still signing autographs as “Patty”) she re-emerged in the late 1970s as a regular panelist on The Gong Show. Maxene had a very successful comeback as a cabaret soloist in 1979 and toured worldwide for the next 15 years, recording a solo album in 1985 entitled “Maxene: An Andrews Sister” for Bainbridge Records. Patty started her own solo act in 1981, but did not receive the critical acclaim her sister had for her performances, even though it was Patty who was considered to be the “star” of the group for years. The critics’ major complaint was that Patty’s show concentrated too much on Andrews Sisters material, which did not allow Patty’s own talents as a very expressive and bluesy vocalist to shine through.

“Beat Me Daddy Eight To The Bar”

The two sisters did reunite, albeit briefly, on October 1, 1987 when they received a star on Hollywood’s famous Walk of Fame, even singing a few bars of “Beer Barrel Polka” for the Entertainment Tonight cameras. Ironically, an earthquake shook the area that very morning and the ceremony was nearly canceled, which caused Patty to joke, “Some people said that earthquake this morning was LaVerne because she couldn’t be here, but really it was just Maxene and I on the telephone.” Both sisters laughed and shared a hug. Besides this, and a few brief private encounters, they remained somewhat estranged for the last few years.

Shortly after her off-Broadway debut in New York City in a show called Swingtime Canteen, Maxene suffered another heart attack and died at Cape Cod Hospital on October 21, 1995. Not long before she died, Maxene told music historian William Ruhlmann, “I have nothing to regret. We got on the carousel and we each got the ring and I was satisfied with that. There’s nothing I would do to change things if I could…Yes, I would. I wish I had the ability and the power to bridge the gap between my relationship with my sister, Patty.”[Upon hearing the news of her sister’s death, Patty became very distraught. As her husband Wally went to her, he fell on a flight of stairs and broke both wrists. Patty did not attend her sisters’ memorial services in New York, nor in California. Said Bob Hope of Maxene’s passing, “She was more than part of The Andrews Sisters, much more than a singer. She was a warm and wonderful lady who shared her talent and wisdom with others.”

The Andrews Sisters perform ‘Saturday Night is the Loneliest Night in the Week’ and ‘Good, Good, Good’ on the radio variety show ‘Mail Call’,
March 14, 1945.

Instrumental to the sisters’ success over the years were their parents, Olga ‘Ollie’ (née Sollie) Andrews (1886–1948) and Peter Andreas/Andrews (1884–1949); their orchestra leader and musical arranger Vic Schoen (1916-2000); music publishing giant Lou Levy who died only days after Maxene and was their manager from 1937 to 1951 as well as being Maxene’s husband from 1941–1949,[7] and both Jack Kapp (d. 1949) & his brother David Kapp, who founded Decca Records.

Patty Andrews married agent Marty Melcher in 1947, and left him in 1949 when he pursued a romantic relationship with Doris Day (at the time of his death, Melcher left Day in millions of dollars of debt after mismanaging her money for years, unbeknownst to Doris). Patty then married Walter Weschler in 1951, the trio’s pianist. LaVerne married Lou Rogers[5] (who died 5 days after Maxene, and 5 days before Lou Levy in 1995) in 1948, a trumpet player in Vic Schoen‘s band, and remained with him until her death.

The Andrews Sisters perform on the radio show ‘Command Performance’, September 11, 1943 (episode 84).
With MC Ginny Simms.

Throughout their long career, the sisters had sold over well over 75 million records (that being the last official count released by MCA Records in the mid-1970s). The group was inducted into the Vocal Group Hall of Fame in 1998.

LaVerne and Maxene Andrews are interred in the Forest Lawn Memorial Park Cemetery in Glendale, California with their parents, and room remains in the crypt for Patty if she chooses that as her final resting place.

The Andrews Sisters’ recording of “Don’t Sit under the Apple Tree” was sampled in Soul Coughing‘s song “Down to This” off their album Ruby Vroom. Until the advent of the Supremes, the sisters were the most imitated of all female singing groups, and influenced many artists, including Mel Tormé, Les Paul & Mary Ford, The Four Freshmen, The McGuire Sisters, The Lennon Sisters, The Pointer Sisters, The Manhattan Transfer, Barry Manilow, and Bette Midler; even Elvis Presley was a fan.

Most of the Andrews Sisters’ music has been restored and released in compact disc form, yet over 300 of their original Decca recordings, a good portion of which was hit material, has yet to be released by MCA/Decca in over 50 years. Many of these Decca recordings have been used in such television shows and Hollywood movies as Homefront, ER, The Brink’s Job, National Lampoon’s Christmas Vacation, Swing Shift, Raggedy Man, Summer of ’42, Slaughterhouse-Five, Maria’s Lovers, Harlem Nights, In Dreams, Murder in the First, L.A. Confidential, Just Shoot Me, Mama’s Family, War & Remembrance, Jakob the Liar, Lolita, The Polar Express, The Chronicles of Narnia, Memoirs of a Geisha, and Bon Voyage, Charlie Brown (and Don’t Come Back!!). Comical references to the trio in television sitcoms can be found as early as I Love Lucy and as recently as Everybody Loves Raymond. In 2007, their version of “Bei Mir Bist Du Schön” was included in the game BioShock, a first-person shooter that takes place in an alternate history 1960, and later in 2008, Civilization (with Danny Kaye) was included in the 1940s-50s Atomic Age-inspired video game Fallout 3.

At the beginning of World War II, the War department, through the Army Services Forces — Special Services Division, distributed thousands of shellac phonograph records (V DISCS) to Army Forces throughout the world.

Christina Aguilera used the Andrews Sisters’ “Boogie Woogie Bugle Boy” to inspire her song “Candyman” (released as a single in 2007) from her hit album Back to Basics. The song was co-written by Linda Perry. The London based trio the Puppini Sisters uses their style harmonies on several Andrews Sisters and other hits of the 1940s and 1950s as well as later rock and disco hits. The trio has said their name is a tribute to The Andrews Sisters.

At age 92, Patty Andrews lives quietly in Northridge, California, together with Wally, her husband of over 55 years. In interviews, when granted, she rarely speaks personally of her sisters. When asked about their legendary feuding, she jokes about it and quickly moves onto the next topic.

In 2008 and 2009 the BBC produced a one hour show of the history of the Andrews Sisters from growing up in Mound, Minnesota through the present. The American premier of the show was June 21, 2009 in Mound, Minnesota.

In 2008 Mound, Minnesota dedicated “The Andrew Sisters Trail”. They spent summers in Mound with their uncles Pete and Ed Solie who had a grocery store there. Maxene Andrews always said that the summers in Mound created a major sense of “normalcy” and “a wonderful childhood” in a life that otherwise centered around the sister’s career. The Westonka Historical Society has a large collection of Andrew Sisters memorabilia.

When the sisters burst upon the music scene in the late-1930s, they shook a very solid musical foundation: producing a slick harmonic blend by singing at the top of their lungs while trying – successfully – to emulate the blare of three harmonizing trumpets, with a full big band racing behind them. Some bandleaders of the day, such as Artie Shaw and his musicians, resented them for taking the focus away from the band and emphasizing the vocals instead. They were in as high demand as the big bandleaders themselves, many of whom did not want to share the spotlight and play back-up to a girl trio.

Nevertheless, they found instant appeal with teenagers and young adults who were engrossed in the swing and jazz idioms, especially when they performed with nearly all of the major big bands, including those led by Glenn Miller, Benny Goodman, Buddy Rich, Tommy Dorsey, Jimmy Dorsey, Gene Krupa, Joe Venuti, Freddie Slack, Eddie Heywood, Bob Crosby (Bing’s brother), Desi Arnaz, Guy Lombardo, Les Brown, Bunny Berigan, Xavier Cugat, Paul Whiteman, Ted Lewis, Nelson Riddle and mood-master Gordon Jenkins, whose orchestra and chorus accompanied them on such successful soft and melancholy renditions as “I Can Dream, Can’t I?” (which shot to number one on Billboard and remained in the Top 10 for 25 weeks), “I Wanna Be Loved“, “There Will Never Be Another You“, and the inspirational “The Three Bells” (the first recorded English version of the French composition), as well as several solo recordings with Patty, including a cover version of Nat “King” Cole‘s “Too Young“, “It Never Entered My Mind“, “If You Go“, and “That’s How A Love Song Is Born“.

Boogie Woogie Bugle Boy can be considered an early recording of rhythm and blues or jump blues.

Maxene, Patty, and LaVerne appeared in 15 Hollywood films. Their first picture, Argentine Nights, paired them with another enthusiastic trio, the Ritz Brothers.[8] Universal Pictures, always budget-conscious, refused to hire a choreographer, so the Ritzes taught the sisters some eccentric steps. Thus, in Argentine Nights and the sisters’ next film, Buck Privates, the Andrews Sisters dance like the Ritz Brothers.

Buck Privates, with Abbott and Costello, featured the Andrews Sisters’ best-known song, “Boogie Woogie Bugle Boy“. This Don Raye-Hughie Prince composition was nominated for Best Song at the 1941 Academy Awards ceremony. In 2001, the song was voted #6 on a list of 365 entries for Songs of the Century, having also returned to popularity via a 1973 rendition by Bette Midler.

Universal hired the sisters for two more Abbott & Costello comedies, and then promoted them to full-fledged stardom in B musicals. What’s Cookin’, Private Buckaroo, and Give Out, Sisters (the latter portraying the sisters as old ladies) were among the team’s popular full-length films.

The Andrews Sisters have a specialty number in the all-star revue Hollywood Canteen (1944). They can be seen singing “You Don’t Have to Know the Language” with Bing Crosby in Paramount’s Road to Rio with Bob Hope, that year’s highest-grossing movie. Their singing voices are heard in two full-length Walt Disney features (“Make Mine Music[9] which featured Johnny Fedora & Alice Blue Bonnet, and “Melody Time“, which introduced Little Toot, both of which are available on DVD today). The Andrews Sisters were the most sought-after entertainment property in theater shows worldwide during the 1940s and early 1950s, always topping previous house averages. Blonde Patty, brunette Maxene and redhead LaVerne headlined at the London Palladium in 1948 and 1951 to sold-out crowds. They hosted their own radio shows for ABC & CBS from 1944–1951, singing specially-written commercial jingles for such products as Wrigley’s chewing gum, Dole pineapples, Nash motor cars, Kelvinator home appliances, Campbell’s soups, and Franco-American food products.

They recorded 47 songs with crooner Bing Crosby, 23 of which charted on Billboard, thus making the team one of the most successful pairings of acts in a recording studio in show business history. Their million-sellers with Crosby included “Pistol Packin’ Mama“, “Don’t Fence Me In“, “South America, Take It Away“, and “Jingle Bells“, among other yuletide favorites.

The sisters’ popularity was such that after the war they discovered some of their records had actually been smuggled into Germany after the labels had been changed to read “Hitler‘s Marching Songs”. Their recording of Bei Mir Bist Du Schön became a favorite of the Nazis, until it was discovered that the song’s composers were of Jewish descent. Still, it did not stop concentration camp inmates from secretly singing it, this is most likely since the song was originally a Yiddish song “Bei Mir Bistu Shein“, and had been popularized within the Jewish community before it was recorded as a more successful “cover” version by the Andrews sisters.

Along with Bing Crosby, separately and jointly, The Andrews Sisters were among the performers who incorporated ethnic music styles into America’s Hit Parade, popularizing or enhancing the popularity of songs with melodies originating in Israel, Italy, Spain, France, Ireland, Czechoslovakia, Russia, Sweden, Brazil, Mexico, and Trinidad, many of which their manager chose for them.

The Andrews Sisters became the best-selling female vocal group in the history of popular music, setting records that remain unsurpassed to this day:

Early comparative female harmony trio’s were the Boswell Sisters, the Pickens Sisters, and the Three X Sisters.

Their last appearance together, in “The Dean Martin Show”.

Sources: Wikipedia, nndb.com, imdb.com, YouTube.

Hit records

Year Single Chart positions
US US
R&B
US Country
1938 Bei Mir Bist Du Schoen 1
Nice Work If You Can Get It 12
“Joseph, Joseph” 18
“Ti-Pi-Pin” 12
Shortenin’ Bread 16
“Says My Heart” 10
“Tu-li-Tulip Time” 9
“Sha-Sha” 17
“Lullaby To a Jitterbug” 10
1939 “Pross-Tchai (Goodbye)” 15
Hold Tight, Hold Tight 2
“You Don’t Know How Much You Can Suffer” 14
Beer Barrel Polka (Roll Out the Barrel)” 4
Well All Right (Tonight’s the Night)” 5
Ciribiribin (They’re So In Love)”(with Bing Crosby) 13
“Yodelin’ Jive”(with Bing Crosby) 4
“Chico’s Love Song” 11
1940 “Say Si Si (Para Vigo Me Voy)” 4
The Woodpecker Song 6
“Down By the O-Hi-O” 21
“Rhumboogie” 11
“Ferryboat Serenade” 1
“Hit the Road” 27
“Beat Me, Daddy, Eight To the Bar” 2
1941 “Scrub Me, Mama, With a Boogie Beat” 10
“Boogie Woogie Bugle Boy” 6
“I Yi, Yi, Yi, Yi (I Like You Very Much)” 11
“(I’ll Be With You) In Apple Blossom Time” 5
“Aurora” 10
“Sonny Boy” 22
“The Nickel Serenade” 22
“Sleepy Serenade” 22
“I Wish I Had a Dime (For Every Time I Missed You)” 20
“Jealous” 12
1942 “The Shrine of St. Cecilia” 3
“I’ll Pray For You” 22
“Three Little Sisters” 8
“Don’t Sit Under the Apple Tree” 16
“Pennsylvania Polka” 17
“That’s the Moon, My Son” 18
“Mister Five By Five” 14
“Strip Polka” 6
“Here Comes the Navy” 17
1943 “East of the Rockies” 18
Pistol Packin’ Mama“(with Bing Crosby) 2 3 1
“Victory Polka”(with Bing Crosby) 5
Jingle Bells“(with Bing Crosby) 19
“Shoo-Shoo Baby” 1
1944 “Down In the Valley” 20
“Straighten Up and Fly Right” 8
Tico Tico 24
“Sing a Tropical Song” 24
“Is You Is Or Is You Ain’t My Baby”(with Bing Crosby) 2
“A Hot Time In the Town of Berlin”(with Bing Crosby) 1
Don’t Fence Me In“(with Bing Crosby) 1 9
1945 Rum and Coca Cola 1 3
Accentuate the Positive“(with Bing Crosby) 2
The Three Caballeros“(with Bing Crosby) 8
“One Meat Ball” 15
“Corns For My Country” 21
“Along the Navajo Trail”(with Bing Crosby) 2
“The Blond Sailor” 8
1946 “Money Is the Root of All Evil” 9
“Patience and Fortitude” 12
“Coax Me a Little Bit” 24
“South America, Take It Away”(with Bing Crosby) 2
“Get Your Kicks On Route 66″(with Bing Crosby) 14
“I Don’t Know Why” 17
“House of Blue Lights” 15
“Rumors Are Flying”(with Les Paul) 4
Winter Wonderland“(with Guy Lombardo) 22
“Christmas Island”(with Guy Lombardo) 7
1947 “Tallahassee”(with Bing Crosby) 10
There’s No Business Like Show Business“(with Bing Crosby and Dick Haymes) 25
“On the Avenue” 21
“Near You” 2
“The Lady From 29 Palms” 7
“The Freedom Train”(with Bing Crosby) 21
“Civilization (Bongo, Bongo, Bongo)”(with Danny Kaye) 3
Jingle Bells“(with Bing Crosby)(re-entry) 21
“Santa Claus Is Comin’ To Town”(with Bing Crosby) 22
“Christmas Island”(with Guy Lombardo)(re-entry) 20
“Your Red Wagon” 24
“How Lucky You Are” 22
1948 “You Don’t Have To Know the Language”(with Bing Crosby) 21
“Teresa”(with Dick Haymes) 21
“Toolie Oolie Doolie (The Yodel Polka)” 3
“I Hate To Lose You” 14
“Heartbreaker” 21
“Sabre Dance” 20
Woody Woodpecker“(with Danny Kaye) 18
“Blue Tail Fly”(with Burl Ives) 24
“Underneath the Arches” 5
“You Call Everybody Darling” 8
“Cuanto La Gusta”(with Carmen Miranda) 12
“160 Acres”(with Bing Crosby) 23
“Bella Bella Marie” 23
1949 “Christmas Island”(with Guy Lombardo)(re-entry) 26
“The Pussy Cat Song (Nyow! Nyot! Nyow!)”(Patty Andrews w/Bob Crosby) 12
“More Beer!” 30
“I’m Bitin’ My Fingernails and Thinking of You”(with Ernest Tubb) 30 2
“Don’t Rob Another Man’s Castle”(with Ernest Tubb) 6
I Can Dream, Can’t I? 1
“The Wedding of Lili Marlene” 20
“She Wore a Yellow Ribbon”(with Russ Morgan) 22
“Charley, My Boy”(with Russ Morgan) 15
1950 “Merry Christmas Polka”(with Guy Lombardo) 18
“Have I Told You Lately That I Love You”(with Bing Crosby) 24
“Quicksilver”(with Bing Crosby) 6
“The Wedding Samba”(with Carmen Miranda) 23
“I Wanna Be Loved” 1
“Can’t We Talk It Over” 22
“A Bushel and a Peck” 22
1951 “A Penny a Kiss, a Penny a Hug” 17
“Sparrow In the Tree Top”(with Bing Crosby) 8
“Too Young”(Patty Andrews) 19
1955 “Suddenly There’s a Valley”(Patty Andrews) 69

Quick Bio Facts: Source: nndb.com

The Andrew Sisters

Name Occupation Birth Death Known for
LaVerne Andrews Singer 6-Jul-1911 8-May-1967 The Andrews Sisters
Maxene Andrews Singer 3-Jan-1916 21-Oct-1995 The Andrews Sisters
Patty Andrews Singer 16-Feb-1918 The Andrews Sisters